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Sheila
Curran Bernard is an Emmy and Peabody Award-winning writer,
filmmaker, and consultant with expertise in using the tools of story and
structure to enhance the power, rigor, and appeal of
nonfiction media. She has played
a leading role in creating and overseeing projects for national and international broadcast, theatrical release,
and museum and classroom use -- work that is often strategically
leveraged to enhance impact through the simultaneous development of
components for the web, teacher development, and community-based public
engagement.
Bernard’s theatrical and broadcast credits include nearly 50 hours of programming
carried nationally on public television, including the series Eyes on
the Prize and School: The Story of American Public
Education, for which she also co-wrote the companion book (Beacon
Press 2001). Additional broadcast credits include films for HBO and
Lifetime. Her
theatrical documentary
credits include the IMAX film
Wired
to Win: Surviving the Tour de France, a film about neuroscience
that's now in international release. She recently wrote the script for
an IMAX film about genetics, now in development. She is also an
experienced proposal writer and
consultant.
Bernard is the
author of Documentary Storytelling
(Focal Press/Elsevier). First published in 2003, the second
edition (2007) has been translated into Portuguese, Korean, and Chinese,
and the third edition will be published in September 2010.
With Kenn Rabin,
Bernard is also the author
of Archival Storytelling: A Filmmaker's Guide to Finding,
Using, and Licensing Third-Party Visuals and Music (Focal Press/Elsevier 2008), a
look at the ways in which fiction and nonfiction filmmakers can access and use
copyrighted
materials. ("Remarkably
thorough, profoundly practical, lucidly written, and thought provoking"
-- SPRING/SUMMER 2010, American Archivist, pp. 278-81)
Recognition for Bernard’s
work includes a national Emmy Award for writing, the
George Foster Peabody Award, the Cine Golden Eagle, and the Alfred I. duPont-Columbia
University Award. She has also
been honored with fellowships at the MacDowell Colony for the Arts and the Virginia
Center for the Creative Arts. Staged readings of her
plays and screenplays have been held in New York City and in Portland,
Maine, and she has been a finalist in competitions including the
Nantucket Film Festival Screenwriting Competition, the New Plays in
America Festival, the Sundance Filmmakers Lab, and the Lamia Ink!
competition.
Bernard has discussed ethical documentary storytelling on behalf of the
Jean Everitt Journalism Lecture Series at Christopher Newport
University, the Niemann Conference on Narrative Journalism at Harvard
University, the International Wedding and Events Videographers
Association annual meeting, the Pennsylvania College of Technology, the
University of Bergen, and elsewhere. She has taught at Princeton
University and Westbrook College, and is currently on the faculty of the
University at Albany, State University of New York. She
holds B.S. in Communication from Boston University and an M.F.A. in
Creative Writing from Goddard College.
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